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	<title>angela henderson artist</title>
	<link>https://ahenderson.ca</link>
	<description>angela henderson artist</description>
	<pubDate>Fri, 06 Mar 2026 13:08:12 +0000</pubDate>
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		<title>Left Nav</title>
				
		<link>https://ahenderson.ca/Left-Nav</link>

		<pubDate>Sun, 28 Jul 2024 19:12:18 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

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		<description>ANGELA HENDERSON


	
	
mouth them like words (2026)


scrims (2025)
ambiguous angle (dreams go after the mouth)
(2024)

23 drawings for a stone (2023)


era of sleep (2022)
/about
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		<title>Ambiguous Angle</title>
				
		<link>https://ahenderson.ca/Ambiguous-Angle</link>

		<pubDate>Sun, 28 Jul 2024 19:12:13 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

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		<description>ambiguous angle (dreams go after the mouth) (2024)


	
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 A series of drawings developed through an intuitive process that begins with found objects and a graphite field. Forms emerge through sustained attention, where figures surface and recede over time. Informed by dream imagery and psychoanalytic practice, the drawings follow what is seen rather than what is known. Resolution is provisional, and images remain contingent, held in a state of ongoing transformation. Exhibited at Art Polygon, Gwangju, South Korea and The Centre, Kanuma, Japan (2024)</description>
		
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		<title>mouth them like words</title>
				
		<link>https://ahenderson.ca/mouth-them-like-words</link>

		<pubDate>Fri, 06 Mar 2026 13:08:12 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/mouth-them-like-words</guid>

		<description>mouth them like words (2026)

	
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exhibition essay here
Mouth Them Like Words is a series of drawings that rework botanical illustration as a site of translation. Moving between observation and invention, plant forms are allowed to shift, hybridize, and exceed their classification. The work proposes a counter-archive grounded in relation rather than representation, where the act of drawing holds what cannot be fully named.
Exhibited at StFX Art Gallery, Antigonish, Canada (February 25 - April 4)


</description>
		
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	<item>
		<title>Scrims</title>
				
		<link>https://ahenderson.ca/Scrims</link>

		<pubDate>Sat, 24 May 2025 15:46:18 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/Scrims</guid>

		<description>Scrims (2025) Angela Henderson and Robert Bean


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&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/49de04acb025ab42fe2e6bf5757c6998347f2a21eaad4725827400f79a21f883/19.jpg" data-mid="233725353" border="0"  src="https://freight.cargo.site/w/1000/i/49de04acb025ab42fe2e6bf5757c6998347f2a21eaad4725827400f79a21f883/19.jpg" /&#62;
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&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/adcc24c2be5583d1ae34ba4ca6b06cc12f88d5b6c9e107704ad407aa16c3fe45/03.jpg" data-mid="233725117" border="0"  src="https://freight.cargo.site/w/1000/i/adcc24c2be5583d1ae34ba4ca6b06cc12f88d5b6c9e107704ad407aa16c3fe45/03.jpg" /&#62;
&#60;img width="2400" height="1623" width_o="2400" height_o="1623" data-src="https://freight.cargo.site/t/original/i/74eb60098952234f755da6bfdf80181bb29ac3ec52d823606392730d05a92847/08.jpg" data-mid="233725310" border="0"  src="https://freight.cargo.site/w/1000/i/74eb60098952234f755da6bfdf80181bb29ac3ec52d823606392730d05a92847/08.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/9dff78b2ca69348ddf58acc21f7a3a6abe78ad432e51a2d3eb8bea728285be11/09.jpg" data-mid="233725314" border="0"  src="https://freight.cargo.site/w/1000/i/9dff78b2ca69348ddf58acc21f7a3a6abe78ad432e51a2d3eb8bea728285be11/09.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/6efe49680e48c5412263a79fbbc3dcf10e8b3350816f62447d57db0cb3e90605/11.jpg" data-mid="233725321" border="0"  src="https://freight.cargo.site/w/1000/i/6efe49680e48c5412263a79fbbc3dcf10e8b3350816f62447d57db0cb3e90605/11.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/7175b8a27c570a18a981ad853b63c95b463b4e1f57b25c7f789c1ff32fc0ab70/10.jpg" data-mid="233725317" border="0"  src="https://freight.cargo.site/w/1000/i/7175b8a27c570a18a981ad853b63c95b463b4e1f57b25c7f789c1ff32fc0ab70/10.jpg" /&#62;

Scrim(s) is an exhibition developed in collaboration with Robert Bean that considers perception as something contingent, layered, and subject to shift. Taking its name from the theatrical scrim—a surface that is both reflective and transparent—the work examines how images appear, dissolve, and re-form depending on conditions of light, attention, and position.


Across drawing and photographic processes, forms emerge gradually, often at the threshold of visibility. What first appears as absence or opacity gives way, through sustained looking, to figures that reveal themselves in time.&#38;nbsp; Positioned within a shared inquiry into poetic ecology and the more-than-human world, Scrim(s) approaches making as a process of following rather than directing. In this space, perception becomes relational, and meaning is not resolved but continually re-formed.

</description>
		
	</item>
		
		
	<item>
		<title>secrets</title>
				
		<link>https://ahenderson.ca/secrets</link>

		<pubDate>Mon, 03 Apr 2017 13:55:02 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/secrets</guid>

		<description>secrets save me from dissolving (2018)exhibition review


&#60;img width="1201" height="1800" width_o="1201" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3033bfb039bce755ed3fb90299f7e149f2704c2ead4033a1157b755996a77041/web_5_smalll.jpg" data-mid="127870950" border="0"  src="https://freight.cargo.site/w/1000/i/3033bfb039bce755ed3fb90299f7e149f2704c2ead4033a1157b755996a77041/web_5_smalll.jpg" /&#62;
&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/a04814633657d4db3255d50d9a2ffd3455fa62c47fa530a3945e44f06aaa54d5/web_1_smalll.jpg" data-mid="127870946" border="0"  src="https://freight.cargo.site/w/1000/i/a04814633657d4db3255d50d9a2ffd3455fa62c47fa530a3945e44f06aaa54d5/web_1_smalll.jpg" /&#62;
&#60;img width="5000" height="3336" width_o="5000" height_o="3336" data-src="https://freight.cargo.site/t/original/i/11a258e90c3398c252ea82045785c0319dd6ddd29c47ad7754350e82315997e4/installation_angela-henderson_1_o.jpg" data-mid="127870945" border="0"  src="https://freight.cargo.site/w/1000/i/11a258e90c3398c252ea82045785c0319dd6ddd29c47ad7754350e82315997e4/installation_angela-henderson_1_o.jpg" /&#62;
&#60;img width="1201" height="1800" width_o="1201" height_o="1800" data-src="https://freight.cargo.site/t/original/i/197964c929b9e83f9fbbf39ac7a9ef429f2534c341cdf5317891f5b9cf7e9744/web_4_smalll.jpg" data-mid="127870949" border="0"  src="https://freight.cargo.site/w/1000/i/197964c929b9e83f9fbbf39ac7a9ef429f2534c341cdf5317891f5b9cf7e9744/web_4_smalll.jpg" /&#62;
&#60;img width="801" height="1200" width_o="801" height_o="1200" data-src="https://freight.cargo.site/t/original/i/516da95793ef64a65550f5083d1c00cfe0838825b1f386249d65de4f8fadf5ea/web_3_smalll.jpg" data-mid="127870948" border="0"  src="https://freight.cargo.site/w/801/i/516da95793ef64a65550f5083d1c00cfe0838825b1f386249d65de4f8fadf5ea/web_3_smalll.jpg" /&#62;
photo credits: Steve Farmer

</description>
		
	</item>
		
		
	<item>
		<title>23 drawings for a stone</title>
				
		<link>https://ahenderson.ca/23-drawings-for-a-stone-1</link>

		<pubDate>Tue, 30 Jul 2024 17:56:30 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/23-drawings-for-a-stone-1</guid>

		<description>23 drawings for a stone (2025)



	
&#60;img width="1837" height="1296" width_o="1837" height_o="1296" data-src="https://freight.cargo.site/t/original/i/46f06d8f5319edb8fd7d9a5d45d768b51491ec36f686d4ae1fadde24026bc486/vav2.gif" data-mid="215603146" border="0"  src="https://freight.cargo.site/w/1000/i/46f06d8f5319edb8fd7d9a5d45d768b51491ec36f686d4ae1fadde24026bc486/vav2.gif" /&#62;
&#60;img width="1764" height="1296" width_o="1764" height_o="1296" data-src="https://freight.cargo.site/t/original/i/58d5fc29919bc190e123c8bab37d23564a1ebdd1bbaf3eca3288148c161c01c8/tzaddik_web.gif" data-mid="215603201" border="0"  src="https://freight.cargo.site/w/1000/i/58d5fc29919bc190e123c8bab37d23564a1ebdd1bbaf3eca3288148c161c01c8/tzaddik_web.gif" /&#62;
&#60;img width="490" height="1332" width_o="490" height_o="1332" data-src="https://freight.cargo.site/t/original/i/63c1384eb63550bc90259c9c3d2cd6f2d9933f63521b60b709a44290f942d037/kaf_web.gif" data-mid="215761094" border="0"  src="https://freight.cargo.site/w/490/i/63c1384eb63550bc90259c9c3d2cd6f2d9933f63521b60b709a44290f942d037/kaf_web.gif" /&#62;
&#60;img width="1297" height="1721" width_o="1297" height_o="1721" data-src="https://freight.cargo.site/t/original/i/c82c5bb7d40cbf70a0013cb3fdc2a99fa16b41c797c3aaa888c180588645b695/samech.gif" data-mid="216294352" border="0"  src="https://freight.cargo.site/w/1000/i/c82c5bb7d40cbf70a0013cb3fdc2a99fa16b41c797c3aaa888c180588645b695/samech.gif" /&#62;
&#60;img width="1297" height="1728" width_o="1297" height_o="1728" data-src="https://freight.cargo.site/t/original/i/fd6ac37971a6b326b4b6b33d83fe7dd4bcfffce26e69fcd531fe6397bbc4e5e8/ayin.gif" data-mid="216296736" border="0"  src="https://freight.cargo.site/w/1000/i/fd6ac37971a6b326b4b6b33d83fe7dd4bcfffce26e69fcd531fe6397bbc4e5e8/ayin.gif" /&#62;
&#60;img width="1299" height="1733" width_o="1299" height_o="1733" data-src="https://freight.cargo.site/t/original/i/fa7ebbfb9a56aa38b9a0d27281fa8954ddd505aff22c81fdbe31ae18e7592574/shin.gif" data-mid="216294329" border="0"  src="https://freight.cargo.site/w/1000/i/fa7ebbfb9a56aa38b9a0d27281fa8954ddd505aff22c81fdbe31ae18e7592574/shin.gif" /&#62;
&#60;img width="1299" height="1763" width_o="1299" height_o="1763" data-src="https://freight.cargo.site/t/original/i/50994d874b759d83255724bfa72021a7fd82195f60ffc70ba497136c45a32022/resh.gif" data-mid="216294373" border="0"  src="https://freight.cargo.site/w/1000/i/50994d874b759d83255724bfa72021a7fd82195f60ffc70ba497136c45a32022/resh.gif" /&#62;
&#60;img width="1327" height="1836" width_o="1327" height_o="1836" data-src="https://freight.cargo.site/t/original/i/366f4dd6463020777906659e5c66e4e0a62ec23d83463ad294da81ad6845b324/mem_web.gif" data-mid="215761244" border="0"  src="https://freight.cargo.site/w/1000/i/366f4dd6463020777906659e5c66e4e0a62ec23d83463ad294da81ad6845b324/mem_web.gif" /&#62;
&#60;img width="1771" height="1333" width_o="1771" height_o="1333" data-src="https://freight.cargo.site/t/original/i/df960bf21dc147b460858f39779b7b2123e7940db85e22e4beac69d3601c84f9/lamed_web.gif" data-mid="215761220" border="0"  src="https://freight.cargo.site/w/1000/i/df960bf21dc147b460858f39779b7b2123e7940db85e22e4beac69d3601c84f9/lamed_web.gif" /&#62;
&#60;img width="1297" height="1730" width_o="1297" height_o="1730" data-src="https://freight.cargo.site/t/original/i/34345e6f493dc55aea0db1abe94c0b5ce5d749989f52c288fc3268d849abfdcc/Aleph.gif" data-mid="216296763" border="0"  src="https://freight.cargo.site/w/1000/i/34345e6f493dc55aea0db1abe94c0b5ce5d749989f52c288fc3268d849abfdcc/Aleph.gif" /&#62;
&#60;img width="1296" height="1731" width_o="1296" height_o="1731" data-src="https://freight.cargo.site/t/original/i/3e8f813400f93b84b401331fc60eb1777f351b29bb3510ef2dc87d185a381491/vav1.gif" data-mid="216296787" border="0"  src="https://freight.cargo.site/w/1000/i/3e8f813400f93b84b401331fc60eb1777f351b29bb3510ef2dc87d185a381491/vav1.gif" /&#62;
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a1bbc2a4d599f382491d52b5ded0077c9a07449d75d534370055cbfa7d802521/piyut-drawinsg.jpg" data-mid="217342553" border="0"  src="https://freight.cargo.site/w/1000/i/a1bbc2a4d599f382491d52b5ded0077c9a07449d75d534370055cbfa7d802521/piyut-drawinsg.jpg" /&#62;
&#60;img width="1297" height="1728" width_o="1297" height_o="1728" data-src="https://freight.cargo.site/t/original/i/0b9af0d2c5d4b5d3126b1709a85341d38962f43037045067ed028b8962ceab08/chet.gif" data-mid="216296640" border="0"  src="https://freight.cargo.site/w/1000/i/0b9af0d2c5d4b5d3126b1709a85341d38962f43037045067ed028b8962ceab08/chet.gif" /&#62;
&#60;img width="1297" height="1754" width_o="1297" height_o="1754" data-src="https://freight.cargo.site/t/original/i/1e57438a2e893003c8d9deae8cbeb84d3169c835909a3f3f6819a84922f9d38a/Bet.gif" data-mid="216296703" border="0"  src="https://freight.cargo.site/w/1000/i/1e57438a2e893003c8d9deae8cbeb84d3169c835909a3f3f6819a84922f9d38a/Bet.gif" /&#62;
&#60;img width="1297" height="1742" width_o="1297" height_o="1742" data-src="https://freight.cargo.site/t/original/i/a4d1ab51d3fa18e8ba295757249595171d49b90f220df1241363eb29598434cb/dalet.gif" data-mid="216296424" border="0"  src="https://freight.cargo.site/w/1000/i/a4d1ab51d3fa18e8ba295757249595171d49b90f220df1241363eb29598434cb/dalet.gif" /&#62;
&#60;img width="1296" height="1730" width_o="1296" height_o="1730" data-src="https://freight.cargo.site/t/original/i/7dcb209d8fb36a91061cc34eaa0e5aa636ba41eeb732123f71f2479e62a1ac9c/cof.gif" data-mid="216296620" border="0"  src="https://freight.cargo.site/w/1000/i/7dcb209d8fb36a91061cc34eaa0e5aa636ba41eeb732123f71f2479e62a1ac9c/cof.gif" /&#62;
&#60;img width="1299" height="1731" width_o="1299" height_o="1731" data-src="https://freight.cargo.site/t/original/i/8676d59861873e43573e27ba2c82b2c8f502c89ab35455a36799596d6593a589/Gimel.gif" data-mid="216296160" border="0"  src="https://freight.cargo.site/w/1000/i/8676d59861873e43573e27ba2c82b2c8f502c89ab35455a36799596d6593a589/Gimel.gif" /&#62;
&#60;img width="1300" height="1729" width_o="1300" height_o="1729" data-src="https://freight.cargo.site/t/original/i/cac3570fd8f66fab8173498c7b8af8d107e02e6c764fb29637e00e0f68e1ac5a/heh.gif" data-mid="216295790" border="0"  src="https://freight.cargo.site/w/1000/i/cac3570fd8f66fab8173498c7b8af8d107e02e6c764fb29637e00e0f68e1ac5a/heh.gif" /&#62;
&#60;img width="1298" height="1730" width_o="1298" height_o="1730" data-src="https://freight.cargo.site/t/original/i/283a2e3eab67158237f69f0757b7197aef440351fdc8d1358de0da817c4c5c0c/nun.gif" data-mid="216295764" border="0"  src="https://freight.cargo.site/w/1000/i/283a2e3eab67158237f69f0757b7197aef440351fdc8d1358de0da817c4c5c0c/nun.gif" /&#62;
&#60;img width="1302" height="1729" width_o="1302" height_o="1729" data-src="https://freight.cargo.site/t/original/i/ea5b7a7aa5e6683e677a8de9c2f820bb48b3b3b2f56dda3f46ac33285fd7c794/pay.gif" data-mid="216295588" border="0"  src="https://freight.cargo.site/w/1000/i/ea5b7a7aa5e6683e677a8de9c2f820bb48b3b3b2f56dda3f46ac33285fd7c794/pay.gif" /&#62;
&#60;img width="1311" height="1733" width_o="1311" height_o="1733" data-src="https://freight.cargo.site/t/original/i/497f9d7a7c6fa76ca72f7865baac6824ebb4bc2f1e5180cc0383fa84ad80b290/tav.gif" data-mid="216294285" border="0"  src="https://freight.cargo.site/w/1000/i/497f9d7a7c6fa76ca72f7865baac6824ebb4bc2f1e5180cc0383fa84ad80b290/tav.gif" /&#62;

piyyut (published by Nevermore Press) is a series of drawings created for a book by Solomon Nagler, structured through the aleph-bet. Each image corresponds to a verse, forming a parallel system that moves between digital and hand-rendered processes.

</description>
		
	</item>
		
		
	<item>
		<title>era of sleep</title>
				
		<link>https://ahenderson.ca/era-of-sleep-1</link>

		<pubDate>Sun, 28 Jul 2024 19:12:13 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/era-of-sleep-1</guid>

		<description>era of sleep (2022)
&#38;nbsp;
&#60;img width="5628" height="3854" width_o="5628" height_o="3854" data-src="https://freight.cargo.site/t/original/i/58f681bafd4351f1475c8700a29a2a4b4d04d05081bd2075aa725a859e3cbbe5/korea_installation-view003.jpg" data-mid="215612221" border="0"  src="https://freight.cargo.site/w/1000/i/58f681bafd4351f1475c8700a29a2a4b4d04d05081bd2075aa725a859e3cbbe5/korea_installation-view003.jpg" /&#62;
&#60;img width="4142" height="3446" width_o="4142" height_o="3446" data-src="https://freight.cargo.site/t/original/i/4813189c4bf79c5e362b177f7ff4be093cf85cf7cec86f1b0bb5fadffc427303/korea_drawing-002.png" data-mid="215612387" border="0"  src="https://freight.cargo.site/w/1000/i/4813189c4bf79c5e362b177f7ff4be093cf85cf7cec86f1b0bb5fadffc427303/korea_drawing-002.png" /&#62;
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&#38;nbsp; &#38;nbsp; &#38;nbsp;As part of an ongoing process of mapping urban spaces in the wake of urban development, the source materials for the exhibited works in drawing, sculpture, and installation, are an assemblage of fragments, compiled from demolished city infrastructure in the North End of Halifax, Nova Scotia, Canada
.&#38;nbsp;Exhibited at Cyart Gallery, Seoul, South Korea.&#38;nbsp;</description>
		
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		<title>foray</title>
				
		<link>https://ahenderson.ca/foray-1</link>

		<pubDate>Sun, 28 Jul 2024 19:12:14 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/foray-1</guid>

		<description>
	Foray (2022)
Materials: Cotton String and Fallen Branches&#38;nbsp;
Exhibited as part of an exhibition&#38;nbsp;“Speculative Cartographies: Mapping 5 sites of difficult history in Eastern Poland.”


	



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This work is a continuation of site-specific research that sought to identify witness trees from 5 forested sites of murder in Eastern Poland. The distances between these trees, measured via GPS, are now wrapped onto fallen branches, collected from a local forest in Halifax, Nova Scotia. While the source data remains the same, the form offers a different representation of these sites. These works recognize ecology as a way of telling the stories of the shoah, while also provoking questions about the utility and function of artworks as counter-maps.
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		<title>5 non-sites of memory</title>
				
		<link>https://ahenderson.ca/5-non-sites-of-memory</link>

		<pubDate>Sun, 28 Jul 2024 19:12:14 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/5-non-sites-of-memory</guid>

		<description>5 non-sites of memory (2020-2022)
Oak, Beeswax and SteelExhibited at the Central Library in Halifax, Nova Scotia as part of an exhibition 
“Speculative Cartographies: Mapping 5 sites of difficult history in Eastern Poland.”&#38;nbsp;
	
	




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Non-invasive technologies play an important role when investigating and mapping unmarked mass grave sites. Satellites are utilized for photos, while LiDAR (Light Detection and Ranging) creates 3D representations of the surface with light. Exploring the shift from macro to micro perspectives in our research materials, the landscapes of five forested research sites are transformed into handheld wooden sculptural forms. 
</description>
		
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	<item>
		<title>all flesh is grass</title>
				
		<link>https://ahenderson.ca/all-flesh-is-grass-1</link>

		<pubDate>Sun, 28 Jul 2024 19:12:15 +0000</pubDate>

		<dc:creator>angela henderson artist</dc:creator>

		<guid isPermaLink="true">https://ahenderson.ca/all-flesh-is-grass-1</guid>

		<description>All Flesh is Grass (2022)


	
	



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Canadian artists Angela Henderson and Solomon Nagler, in collaboration with Polish artists Alexandra Janus and Aleksander Schwarz, present a site-specific intervention at Pier 21 that maps unmarked graves of Holocaust victims into architectural space. Positioned within view of Elpaqkwitk (Georges Island), the project uses installation, print-making, photography, and sculpture to explore memory, witnessing, and institutional silence across histories of genocide and colonialism.

Set within a transitional hallway space, the exhibition draws unsettling parallels between Jewish mass graves in Eastern Poland and colonial commemorative monuments across Kjipuktuk. Contact prints, housed in wooden forms, create a multi-directional archive of these layered histories, while graphite "survey markers" inscribed with coordinates from sites of difficult history connect geographies of violence and nation-building.

Framed by the biblical verse “All flesh is grass,” the artists acknowledge their presence on unceded Mi’kmaw territory, foregrounding the ecological and ethical implications of remembrance. This work is part of a growing, open-source digital archive developed with the Zapomniane Foundation, aimed at supporting collective research, education, and reconciliation.Exhibited at Pier 21 Immigration Museum, Halifax, Nova Scotia. 

	
	


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